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Archive for the ‘Bodhgaya’ Category

Here is a video montage featuring excerpts of a talk by His Holiness, the 17th Gyalwang Karmapa, in which he explained the significance of the tormas created for the 26th Kagyu Monlam (filmed in Bodhgaya, India in 2009). The text below is followed by a link to the transcript of the entire teaching: A Talk on the Relationship Between Masters and Disciples.

Excerpts from “A Talk on the Relationship Between Masters and Disciples:”

“We have expanded a number of the features of the site where we are holding the twenty-sixth Kagyu Monlam, including the main gates and so forth, and I thought it would be good to briefly point out what the tormas represent. The main decorative tormas are those with images of Marpa, Milarepa, and Gampopa on the right, and on the left, those with images of the forebears of the Nyingma school of the early translations, the glorious Sakya lineage, and the Gelukpa order.

The main principle these tormas illustrate is that when we consider the Tibetan Buddhist teachings, there are basically no lineages that are not mixed with the others. When the three Dharma kings Songsten Gampo, Trisong Deutsen, and Tri Ralpachen first established the Dharma in Tibet, the lineage that emerged at that time became known as the “Nyingma school of secret mantra.” Thus the Nyingma was Tibet’s first Buddhist lineage. Later on, during the reign of King Langdarma, the teachings were wiped out of Tibet, and the later propagation of the teachings began. That is the difference between the Nyingma and Sarma vajrayana schools.

Then the oral lineage of the Kadampa masters was passed down from the glorious Atisha, and the Sakya, Kagyu, and Geluk lineages successively appeared. The stages of the teachings of all of these lineages, along with their basic starting points, are the same. The different individual lineages arose out of different lineages of lamas and instructions, but fundamentally there is not even a single lineage that is not mixed with the others. In sum, all Tibetan lineages have been passed down intermingled with the others—all of them share Dharma connections and connections of samaya….”

“Therefore the presence of images of the root and lineage gurus from all of the Tibetan Buddhist lineages here today means that all Tibetan Buddhist lineages are nothing other than the teachings of the Buddha: They are all the same….”

For the entire teaching see link below:

A Talk on the Relationship between Masters and Disciples


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The Tormas created for the Kalachakra are currently on display beneath the Bodhi Tree in Bodhgaya, India, January 2012

The Organizing Committee Banner for the 14th Dalai Lama's 32nd Kalachakra Initiation

The amazing butter sculptures displayed below were created by the Gyuto and Gyudmed monks for the Kalachakra teachings and initiation currently taking place in Bodhgaya. They depict the Seventeen Nalanda Masters: Nagarjuna, Aryadeva, Buddhapalita, Bhavaviveka, Chandrakirti, Shantideva, Shantarakshita, Kamalashila, Asanga, Vasubandhu, Dignaga, Dharmakirti, Arya Vimuktisena, Haribhadra, Gunaprabha, Shakyaprabha, and Atisha; Green Tara, White Tara, the Buddha Sakyamuni, Milarepa, the Dalai Lama, Tsongkhapa, and various other deities.

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In early June, 2011, Mingyur Rinpoche left his monastery in Bodhgaya, India to begin a period of extended solitary retreat. He departed in the middle of the night without telling anyone. He did not take any money or belongings, just the clothes he was wearing. The day after he left, his close friend and attendant, Lama Soto, found this letter in Mingyur Rinpoches room.

via Tergar Meditation Community | Teachings & Resources | News & Newsletters | August, 2010 – Letter from Yongey Mingyur Rinpoche when Departing for Retreat.

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Amchok Metok is the name of a particularly beautiful decoration that looks like a flower and is used on the large butter sculptures that grace the shrine during the International Kagyu Monlam. Metok means flower and Amchok perhaps refers to the region of Tibet where this type of flower grew. In this clip, Tibetan Buddhist nun artists introduce themselves and demonstrate a few techniques as they prepare the flower gyens out of wax butter for the Kagyu Monlam shrine. Filmed by Ko Jung-Fa and Cynthia Chao in Bodhgaya, India in 2008-2009.

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The Gakyil gyen is similar to the Amchok Metok gyen. Gakyil means “joy swirl.” Below is a slideshow with more photos of both Amchok Metok and Gakyil.

 

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A special report by Michele Martin

Check out a detailed and very interesting report on this year’s Kagyu Monlam Butter Sculptures by Michele Martin, complete with slide show, photos and diagrams. Enjoy!

http://www.kagyumonlam.org/english/news/Report/Report_20101223_Tormas.html

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One of the Four Great Kings

From “An Interview with the Gyalwang Karmapa, November 29th, 2010″ posted on the Kagyu Monlam website (www.kagyumonlam.org):

Q. What are the designs and themes of the butter sculptures this year?

This year they are in connection with the Karmapa 900 commemoration, thus in the torma [butter sculptures] we have representations of eight previous Karmapa incarnations, from the First Karmapa, Dusum Khyenpa, to the Eighth Karmapa, Mikyö Dorje.

As last year, in the centre there are deeds of the Buddha, drawn from the Avadana [accounts of past life deeds]. Similarly, there are eight worldly protectors – the four great deities and the Four Great Kings –who guard the virtuous activities of Buddhist practitioners, and, more broadly, not just of Buddhist practitioners, but of other virtuous beings too. Since we are now living in India, in a sense this is a way of showing our respect to the Hindu gods of India, and since they are gods who protect all virtuous, positive beings, and since they were praised by Buddha as well, this is the reason for us to make torma of them in particular this year.

Here are some of our snapshots of this year’s Kagyu Monlam tormas:

One of the Four Great Kings

Sujata offering a bowl of yogurt to the Buddha

Diagram of the Karma Pakshi torma

A detail from the Karma Pakshi torma: "Taming Angulimala"

The Karma Pakshi Torma

The Buddha engaged in austerities

Vishnu, one of the four great Hindu deities

Detail of Vishnu

Detail of Vishnu

The Buddha descending from Tushita Heaven

Brahma, one of the four great Hindu deities

A monkey offers honey to the Buddha

The first Karmapa, Dusum Khyenpa

Shrine Master, Ozer Nyingpo lighting incense

Jewels (norbus)

Flower ornament

Two of the offering tormas (called "shalzes")

 


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Karma Kagyu monks make shalzes out of the torma dough for the International Kagyu Monlam for World Peace held annually in Bodhgaya. Shalzes are considered to be sacred food offerings for the deities. Filmed in Bodhgaya in December 2008 by Ko Jung-Fa and Cynthia Chao.

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His Holiness Karmapa, Ogyen Trinley Dorje, discusses the origins and diversity of torma shapes and colors for the film Torma: The Ancient Art of Tibetan Butter Sculpture. Filmed in Bodhgaya, India, in 2008-09 by cinematographers Ko Jung-Fa and Cynthia Chao.

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Monks and nuns worked hard to prepare the materials necessary for making butter sculptures for the International Kagyu Monlam in Bodhgaya, India. This footage was shot in 2008 by Ko Jung-Fa and Cynthia Chao and depicts the fourth stage in the laborious four-part process of preparing wax butter for sculpting butter tormas.

After the pastry margarine is thoroughly kneaded into the wax butter, oil colors are added to create the color palette.

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